A long read, a chart interpretation and an edited extract from my book
"Using Age Progression"
Fred Astaire
was born Frederick Austerlitz on 10.5.1899 at 21.16 local time in
Omaha, Nebraska USA, the son of an American born mother and
an Austrian father. His
chart reminds me of a see-saw or swing boat seeking to achieve
balance; it’s not quite there but it’s not far off either. I also
see what could be a Kite configuration spanning the horizontal axis
of the chart, but it’s not complete and gives the impression that
everything is still docking into the right position to complete this
figure, and once again, it’s not quite there yet. One significant
thing that Astaire was renowned for was his never-ending quest for
perfectionism in his choreography and dance routines.
Aspect structure and Motivation
The
aspect structure, on initial inspection, appears to be composed of
quadrangular figures, but a closer and more detailed look reveals
that this is an illusion as there are interlocked triangular figures
along with several linear aspects. The shaping of the overall aspect
structure gives information about the person’s inner motivation and
what drives them; Astaire’s looks quadrangular, which would
make him Fixed/security-oriented, but in fact there is a mixture of
Mutable (triangular) figures and Cardinal (linear) aspects. This
indicates a flexible and fluid approach to life, being able to move
on with changes and go with the flow, but at the same time there is
an underlying push of restlessness and determination which comes from
the Cardinality of the linear aspects.
The
direction of the aspect structure is horizontal, with the rickety and incomplete Kite tipped over from an upright position, as in the diagram, and seen sideways in the chart, flying towards the “You” side. This is
emphasised by the Moon/Pluto conjunction straddling the descendant
and the presence of Neptune in the 7th house. In spite of
his Sagittarian ascendant, with planets in this Sign adding emphasis,
it is often planets on or around the DC which are picked up first and
foremost by the environment as these are what others first encounter.
Moon in Gemini is easy to see in Astaire’s slim and lightweight
frame and his smoothly shaven face. His looks were quirky and
unconventional, but his charm and pulling power are undeniable; a
combination of Moon conjunct Pluto and opposite Uranus, with the 7th
house Neptune standing nearby like an overseer. After a Hollywood
screen test, producer David Selznick wrote of Astaire:
“I am
uncertain about the man, but I feel, in spite of his enormous ears
and bad chin line, that his charm is so tremendous that it comes
through even on this wretched test”!
Aspect Patterns: The
rickety Kite and the need for perfection
Astaire’s
Kite is incomplete and in most instances I would decline to “see”
a nearly- complete aspect pattern where one does not exist, sticking
with what is already there and working with that. However, the
near-Kite kept drawing my attention. Incomplete aspect patterns can
indicate a lot of energy being expended by the individual to complete
the pattern themselves. There is a striving towards bridging the gaps
that are there and in bringing the pattern into a cohesive whole. The
person may sense that there is something as yet incomplete within
themselves and seek to resolve this by trying always to excel as
completion of the pattern – and perfection - is sought.
The Hubers say of people with a Kite that they “strive for
perfection, not necessarily because they want to reach a fixed state
though, but to be true to themselves, i.e. in all situations to act
in line with their innermost convictions and their heart of hearts”
Astaire
the Perfectionist
I would normally have not focussed too much on the
rickety and incomplete Kite in Astaire’s chart, but having started
researching details of his life and career, I discovered that he was,
indeed, constantly striving for perfection, and, perhaps, to complete
this incomplete figure, spurred on by stickler Saturn on the Balance Point in
the 1st house.
Ginger
Rogers, his most famous on-screen dance partner, described Astaire’s
uncompromising high standards:
“Sometimes he’ll think of a new
line of dialogue or a new angle for the story…they never know what
time of night he’ll call up and start ranting enthusiastically
about a fresh idea…No loafing on the job on an Astaire picture, and
no cutting corners.”
He is reputed to have insisted on numerous
rehearsals and retakes in order to conserve costs for
the actual shooting of a dance number. With so much preparation, the
shooting inevitably went well, but Astaire agonised during the whole
process, frequently asking colleagues for acceptance of his work.
Director Vincente Minelli said of him:
“He always thinks he is no
good”,
and Astaire said of himself:
“I’ve never yet got
anything 100% right. Still, it’s never as bad as I think it is.”
No, it wasn’t. A friend who is a trained practitioner and teacher of the
Alexander Technique tells me that Astaire’s dancing is held up as
an example of the kind of ease of motion that can be achieved by
using just what strength and effort are required, but no more.
Age Progression
Astaire’s
Age Progression highlights some significant life events too. Using
the chart as a life clock, which starts ticking at birth with the
moving hand of the clock at the AC and travelling in an
anti-clockwise direction, we can pinpoint meaningful events. The
conjunction and opposition of the Age Point with a planet are
the most powerful aspects and it is interesting to see how the
conjunctions to Sun, Moon, Pluto and Neptune coincide with key events
in Astaire’s career.
At age 31, with his Age Point just into the 6th
house and conjunct his Taurean Sun his tap dancing was recognised as
among the best. Robert Benchley, the American humourist and columnist
wrote:
“I don’t think I will plunge the nation into war by
stating that Fred is the greatest tap dancer in the world.”
At age
36-37, when his Age Point was conjunct Pluto, he was involved in making the
films he is best known by, with Ginger Rogers as his partner. He not
only performed, but choreographed the dance routines, once again
applying his unrelenting perfectionist touch to all he worked with.
His partnership with Rogers raised them both up to star status,
bringing some light relief and offering a distraction, via the silver
screen, from the hard times of the 30’s and the darkening days of
impending war.
Actress Katherine Hepburn is reported to have said of
the Astaire/Rogers partnership:
“He gives her class and she gives
him sex.”
I’m assuming she meant sex appeal here but this
quote brings a smile to my face as it was made during the period his
Age Point was conjunct Pluto.
When
the Age Point reached its conjunction with Neptune, Astaire appropriately
became more involved with camera and filming techniques. He
introduced innovative ideas for filming dance, and insisted that the
camera should be stationary and the dance should be filmed in a
single shot, holding the dancers in full view the whole time. He also
insisted that all the song and dance routines be integrated into the
plotlines of the film; the dance was used to move the plot along.
Whilst the Age Point was conjunct Neptune, it was also opposite Saturn, his
everlasting task-master on the journey to perfection. At this time he
applied it to the actual filming techniques.
Astaire
supposedly retired from dancing in 1946 and founded the Fred Astaire
Dance Studios in 1947 when he was 48, with his Age Point conjunct Mars on
the 9th cusp. However, he did the famous “comeback”
that many movie stars of that era seemed to, and went on to make
several musicals throughout the 1950’s. He eventually went on to
develop his acting career, receiving rave reviews in the 1959 nuclear
war drama On the Beach. This coincided with his Age Point opposite
Mercury and on the 11th cusp at age 60.
Saturn
at its highest level, where it acts as a wise guide and mentor,
promoting deep learning, has the last laugh as far as the quest for
perfection is concerned. At the age of 75, Astaire won a Golden Globe
for Best Supporting Actor, and a BAFTA award, for his performance in The Towering Inferno as his Age Point made its second conjunction with
this planet.
Not bad for someone whose screen test report read:
“Can’t
act. Slightly bald. Also dances."
Understanding Age Progression is available in paperback, with full colour ilustrations, and as an ebook at the APA Bookshop, Amazon, and other booksellers.